Aurélia Grandel de Keating-Hart
Freedom, sensuality, the line.
A body of work about women's freedom, led by an instinctive, almost reptilian gesture. Drawing, murals, sculpture, ceramics, poetry and film, made to live in exhibition spaces and in architecture.
Sculpture
Torsos, heads and fragments. The body as a landscape, crossed by the fault line. Les Imparfaits de Vallauris. And Les Légères, a homage to Fernand Léger: faces in bas-relief, held like masks.



















Press
Articles and interviews about the artist and her work.
Exhibit, commission, collaborate
Projects can be shaped for a gallery, a museum, a foundation, a hotel or a building. In France and abroad, with particular interest in China.
Exhibition
Solo or group show. Drawing, sculpture and ceramics gathered into one installation, as in Athens.
In-situ murals
Continuous-line murals for architects, hotels, private residences and public spaces.
Residency and live drawing
A residency or a public performance: the frieze is drawn on site, in front of visitors.
Editions
Ceramic pieces, objects and illustrated poetry for cultural institutions and maisons.

Exhibitions
- Athens · art residency, Odyssey
- Grasse
- Miami · during Art Basel
Training and publishing
- Ceramics · École des Beaux-Arts de Vallauris
- École des Beaux-Arts, rue de Seine, Paris
- Nue, illustrated poems · Éditions Les Bonnes Feuilles · silver medal
Background
- 19 years at Le Figaro, journalist and photo stylist
- Contributor to AD China
- Founder, RIVIERA ART magazine
- Creative Director, Fondation Florence
